March 2008
But the Telarc Mozart remains a tough act to follow, even for Mackerras and Mallinson themselves. Direct comparisons, in fact, can only redouble admiration for the bracing, robust character of the Prague performances over these curiously lifeless ones from Glasgow. On Telarc, the muscularity of the allegros makes for a more effective contrast with the inwardness of the slow movements, and the Czech players confident instincts enhance the charm of such passages as the clarinet duet in the trio of No. 39s minuet. Mackerrass roots in Prague go way back, after all: the sense of "total immersion" vitality and spontaneity he achieved there remains unmatched, and the warmer acoustic of the House of Artists offsets any advantage in Linns otherwise fine SACD recording. Hold on to those Telarcs, and if you dont have them, get them now! GO BACK TO: |