June 2008
This album may very well represent Merle Bregantes strongest engineering work yet. While Ive had quibbles with his previous efforts, they have almost all been addressed here. Credit should go to not only Bregante's growth as an engineer but also to new studio goodies -- Dynaudio-powered studio speakers, Alessandro headphones and 24/96 mastering. The bass, which until now has been my main disagreement with Bregantes mixing, is strong, detailed, tight, and easy to follow. Pierces voice is front and center with an excellent sense of realism. All of the instruments -- from the various guitars to drums to fiddle to bass -- are more clearly reproduced and defined. The soundstage is kept between the speakers, yet theres adequate space allotted for allow each instrument to bloom in its own unique manner. This is an album to enjoy both musically and sonically, which means itll have you pinned to your listening seat awaiting the next track. Oh, and theres a real possibility of being able to order one-off 24/96 DVD-As of the album in the future. I have one and its great. Now isnt that a sweet notion to ponder? GO BACK TO: |