August 2008
The music is enjoyable, well captured visually and aurally, and the performers are smartly selected for skill and variety. Much of the music is familiar foot-stompin stuff like "Shell Be Comin Around the Mountain" but played and sung with more virtuosity than would have occurred pre-gramophone. A paean to the "twelve-inch, three-speed oscillating fan" is one of a few humorous gems, while the music-religion connection gets abundant attention. When the musics folk nature rears its head -- family belt-it-outs not ready for prime time but not claiming to be -- were reminded that music is a core human trait, not just a deal beginning and ending with recording contracts. Some of the interviews about what it means to be a hillbilly -- with musicians, audience members, and non-musician hill people -- are subtle and touching: People everywhere prefer not to be categorized or objectified. Proving musicians down-home backgrounds is at times belabored: Hillbilly musicians greeting family members or saying grace around the Thanksgiving table isnt more exciting than the same events at Yanis, Devos, or Philadelphia Orchestra members would be. But overall the film moves right along, giving pleasure and presenting interesting perspectives. GO BACK TO: |