October 2008
One scene stands out. At the end of Act I, as the lecherous Scarpia ascends stage left on a moving scaffold, the eye opens at the bottom to show a large assemblage of priests and religious types while at the same time prisoners are sent to a below-stage-level room in front of the eye, where they are shot as the act concludes. The singers are all good, the Scarpia (Gideon Saks) and Tosca (Nadja Michael) are outstanding. They sing well and are all about sex, seduction, and power. This is definitely an R-rated Tosca. It begins with some artsy, and distracting, recurring split-screen camerawork, but that settles down after 15 minutes and then the camera is exactly where it needs to be. The sound is full-bodied yet quite clear. It pushes Dolby Digital to the limit, with every cymbal crash shimmering in the night air and every bass-drum thud going straight to the gut. Theres some amazing surround sound here and there -- offstage cannon, bells, and the like. Judging from the reviews of the live performance, these were present in person as well. Several reviewers commented on the sound being more impressive than Dolby Digital Surround in a movie theater. One word of caution: There is a cut in Act III that keeps you from seeing Marios execution, in which a stunt double takes a 20-foot fall into the water. It startled me at first, but theres so much to like here that I can overlook it. This Tosca bristles with drama and provides first-rate entertainment. GO BACK TO: |