August 2005The two concert
suites Grieg extracted from his music for Ibsens drama Peer Gynt seem to have
disappeared from our concert halls, but we get more generous helpings of the original
stage music nowadays, in both concerts and recordings. This new Virgin CD offers all the
music from the first production except the "melodramas" (i.e., numbers
in which music is performed under spoken lines), and everything about it rings with
affection, enthusiasm and deep commitment. Paavo Järvi doesnt seem to
"interpret" the music so much as simply to allow it to open up and bloom. He has
the Tallinn orchestra and choruses aglow with confidence and polish as well as remarkable
spirit, and the orchestras solo violin and viola give persuasive imitations of the
Hardanger fiddle.
The three Swedish soloists certainly sound as if they
enjoyed this assignment, particularly the baritone Peter Mattei (not to be confused with
the film director and writer), who has created such a stir in the last few years. Camilla
Tilling, the soprano in Solvejgs songs, and the mezzo Charlotte Hellekant, as
Anitra, might have benefited from a softer sonic focus, but their singing is both
beautiful and characterful.
In every other respect the recording itself is simply
superb -- one of the most all-round natural reproductions of orchestral and choral sound
in some time. The documentation includes full texts in Norwegian, English, French and
German.
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