December 2005
Ellington had reservations about Porgy and Bess ("It does not use the Negro musical idiom"), and Tormé called this recording a "polyglot of styles and approaches." There are many enjoyable jazz performances here, especially by Betty Roché and Johnny Hartman, but the jazz interpretations sit uneasily beside more strictly operatic sections of the piece. Sometimes clashes of style take place in a single track. Francis Fayes nightclub style is dramatically different from Tormés and Hartmans jazz-vocal approach. Bethlehems Porgy and Bess has moments that make it worth owning, although you can sometimes sense that the jazz vocalists are trying to break free of the constraints of staying in character. The mastering is solid, but the original recording is somewhat flat. Shout! Factory does its usual class job with the packaging and presentation. The Bethlehem catalog contains a number of gems, and I look forward to further reissues. GO BACK TO: |