May 2007
Factor in sound that is clear, clean, defined, and spacious and you get an album to truly savor. Sure, The Bay Window was recorded at 24-bit/48kHz on a Pyramix machine, mixed in analog to stereo and multichannel DSD. How can I praise a PCM recording manipulated in analog then transferred to DSD? Because it works. Whether listening to the SACD stereo or multichannel layer you get clear sound that contains plenty of space together with wonderful tonality. The 5.0 mix places you in the midst of the band, while the stereo mix places the band in front of you. Either way, you can hear what each musician is doing at any given moment -- and how that affects his fellows. This is yet another excellent recording from Songlines. GO BACK TO: |