June 2007
Finzi - Introit; Prelude;
Nocturne; Romance; Solioquies; Fall of the
Leaf; Severn Rhapsody; *Eclogue;*Grand Fantasia
& Toccata
London Philharmonic, Sir Adrian Boult, conductor; *Peter Katin, piano; New Philharmonia
Orchestra; Vernon Handley, conductor
Lyrita SRCD 239
Format: CD
Originally released: 1977, 1978
Reissue released: 2007
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Ireland
- Scherzo & Cortege (Julius Caesar); Mai-Dun; The
Forgotten Rite; Tritons; A London Overture; Epic
March; Suite "The Overlanders"
London Philharmonic Orchestra; Sir Adrian Boult, conductor
Lyrita SRCD 240
Originally released: 1966, 1971
Reissue released: 2007
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Moeran -
Sinfonietta; *Symphony in G Minor; Overture for a Masque
London Philharmonic, *New Philharmonia Orchestra; Sir Adrian Boult, conductor
Lyrita SRCD 247
Originally released: 1968, 1970, 1975
Reissue released: 2007
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by Rad Bennett
radb@soundstage.com |
The British Lyrita
label was started in 1959. Its early recordings were mostly of piano music, but later on,
in conjunction with Decca, the company began to release orchestral recordings, all but one
of music by British composers. In the 1970s, the recordings were released in the US on the
HNH and Musical Heritage Society labels. Since Decca engineers were involved, several of
the sessions were audiophile efforts and highly prized by vinyl collectors. A few appeared
on CD some years ago. Now, produced by the Wyastone Estate, there are new Lyrita CDs.
Wyastone promises the entire catalog in the next three years.
The most-recorded conductor on Lyrita in the '60s and '70s
was Sir Adrian Boult. Many of this maestros best later-life recordings were made for
Lyrita. The three I have picked are a good representation of Boults work. Every time
Boult presided, the music seemed to progress in a flowing and logical way. He got all of
the London-based orchestras to play at the peak of their powers.
One of the highlights here is Moerans Symphony, with
its aura of English countryside. This striking work should be heard more often, but is
usually dismissed for the serious concert hall as the composers roots were
considered to be in English folk music. Among the many compositions on the Ireland disc is
a remarkable suite from the Sir Charles Mackerras-edited soundtrack score for the movie The
Overlanders. The finale, "Night Stampede," with its incredibly written (and
played) horn passages is one of the finest moments in all film music.
As indicated above, the recordings vary a bit, but are
never less than very good, and often much better than that.
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