February 2008
A portion of the music sounds almost pre-planned, written out, programmed (literally so with some Gestrin's work). Other selections sound like free jazz run amok. With Gestrin's "Guilty Gates" and "Moonshine Run" there is little in the way of melody to follow, yet the music, while pushing the limits of jazz almost to the breaking point, displays an improvisational spark that is the hallmark of jazz here in the 21st century. The sound of these recordings is first-rate. Spot-on tonality, impressive image separation, and wide dynamics and space are all achieved with precision. For best results, turn the volume up a bit more than normal. In so doing, youll hear the music as if you were there, behind the mixing board. GO BACK TO: |